Editor
Crop, adjust, retouch, compress and convert — one image or a hundred. Everything runs on your own machine, so nothing leaves the browser and there is nothing to install.
JPG · PNG · WEBP · AVIF · GIF · BMP · SVG · ICO
Features & capabilities
FAYTRONIX Image Tools runs entirely inside your web browser. When you open a photo here, it is read straight from your own disk into your browser's memory and processed by your own computer's CPU. There is no upload step, no server queue and no copy of your file sitting in someone else's storage bucket.
That single architectural choice changes what the tool can promise. Because your images never travel anywhere, there is no file size cap imposed by an upload limit, no waiting for a round trip on a slow connection, and no question about who can access your pictures afterwards. Once this page has loaded you can even disconnect from the internet and keep working.
Every crop, filter and re-encode happens through the HTML Canvas API on your device. Open your browser's network tab while you edit — you will not see a single image request leave the page.
Photos from phones and cameras carry hidden data: your location, device model and timestamps. Every export here is re-encoded from scratch, so that metadata is dropped without you having to remember to strip it.
Open a hundred photos at once, perfect one of them, then push those exact settings to every other image and download the results as a single organised ZIP file.
The size shown before you download is the genuine encoded result, produced by actually compressing the image. Set a target in kilobytes and the app searches for the highest quality that fits underneath it.
Your original file is never modified. Adjustments are held as settings and applied at export time, and every change is a labelled step in a history you can walk backwards and forwards through.
One page, no installer, no browser extension and no account. The layout adapts to desktop, tablet and phone, and every control is reachable by keyboard.
Tool utilities
These are not separate products bolted together. They are panels on one editor sharing a single rendering pipeline, so you can crop, colour-correct, compress and convert in one pass and export once.
Large photographs are the single biggest cause of slow web pages. The compressor here gives you two ways to attack that. Use the quality slider to trade detail for size and watch the measured output size update as you move it, or switch to target size mode, type a figure in kilobytes, and let the app binary-search the quality setting until the file lands underneath your limit. It reports the quality level it settled on, so you know exactly what you traded away.
For photographs, WEBP typically produces files 25–35% smaller than JPEG at matching visual quality. For flat graphics, logos and screenshots, PNG stays lossless and often compresses better than either. The Info panel shows a live histogram so you can check whether an image has the tonal range to survive aggressive compression before you commit to it.
Type exact pixel dimensions with proportions locked so nothing stretches, or use the percentage shortcuts to halve or double an image in one click. The interactive crop tool gives you eight drag handles, a live pixel readout and one-click aspect presets for 1:1, 4:3, 3:2, 16:9, 3:4, 2:3 and 9:16 — covering square posts, portrait feeds, stories, reels, widescreen thumbnails and printed formats.
Crop and resize cooperate rather than fight: if you set a target width and then crop to a square, the height is recalculated so your square stays square instead of being squashed back into the old frame. You can also rotate by any angle or in 90° steps, flip horizontally or vertically, and straighten a crooked horizon before cropping.
Convert a single image or an entire batch between formats and download everything as one ZIP. Reading is supported for JPG, PNG, WEBP, GIF, BMP, SVG and AVIF. Writing is supported for PNG, JPG, WEBP, ICO and BMP, with AVIF offered automatically when your browser can encode it — the app tests for the capability at startup instead of guessing.
Format changes are handled thoughtfully rather than blindly. Converting a transparent PNG to JPG flattens it onto a background colour you choose, because JPEG cannot store an alpha channel, and the app tells you when that is about to happen. The ICO export writes a genuine multi-resolution icon containing 16, 32, 48 and 256 pixel versions, which is what a browser favicon actually needs.
Thirteen adjustment sliders cover exposure, brightness, contrast, highlights, shadows, temperature, tint, saturation, vibrance, hue, sharpening, blur and noise reduction. Auto Enhance analyses the histogram and stretches each colour channel independently, which rescues flat or hazy photographs in a single click. Seven one-tap presets — Punch, Natural, Warm, Cool, Soft, Matte and Film — give you a sensible starting point.
The retouching panel adds local tools. Paint a blur or pixelate brush over a face, a number plate or an account number; pixelation averages each block so the underlying detail is genuinely destroyed in the exported file, not merely covered up. The erase brush paints areas to true transparency. The text tool supports font choice, size, bold, italic, underline, alignment, line height, letter spacing, rotation, outline, drop shadow and opacity, and text stays editable until you export. Finish with rounded corners, a border, a drop shadow or a background colour.
Before & after
Drag the handle across either illustration to compare. The left card shows a sensible quality setting: the file drops by roughly 87% while the picture stays indistinguishable at normal viewing size. The right card shows what happens when quality is pushed too far, so you can recognise the failure modes — banding in smooth gradients, blocking around edges, and colour smearing.
These two cards are hand-drawn illustrations of the effect, not screenshots of a processed photograph — the artifacts on the right are produced with an SVG filter so the page stays fast and needs no image downloads. For real numbers, open one of your own pictures in the editor above: the Export panel reports the exact encoded size of your file and the percentage saved against the original.
Usually 25–35% smaller than a JPEG of matching appearance. The best default for photos on a website, with support in every current browser.
Flat colour and sharp edges compress well without any loss, and transparency is preserved. JPEG makes text and line art look muddy — avoid it here.
Screenshots contain text, which shows compression damage sooner than photographs do. Stay lossless, or keep quality high if you need the smaller file.
How it works
Nothing to install, nothing to sign up for, and no watermark on anything you export.
Drag files onto the editor, click to browse, or paste from the clipboard with Ctrl+V. Add one image or a few hundred — they load straight from your disk.
Crop, straighten, adjust the light and colour, retouch, add text. Use the before and after slider at any point to check your work against the original.
Choose a format and quality, then save the single image or download the whole batch as a ZIP. Files are written straight to your downloads folder.
Frequently asked questions
No. Every operation runs inside your browser using the HTML Canvas API, and your files are read directly from your own disk. No image data is transmitted anywhere at any point.
You can verify this yourself: open your browser's developer tools, switch to the Network tab, and edit and export a picture. You will see no upload request. It is also why the editor keeps working if your connection drops after the page has loaded.
Opening: JPG and JPEG, PNG, WEBP, GIF, BMP, SVG and AVIF. HEIC files from iPhones open in Safari, which is the only browser that can decode them natively.
Saving: PNG, JPG, WEBP, ICO and BMP, plus AVIF when your browser supports encoding it. GIF and TIFF cannot be written — GIF needs colour quantisation and TIFF needs its own encoder, and neither is worth the page weight for how rarely they are asked for.
There is no limit imposed by us, because there is no upload to limit. The practical ceiling is your own device's memory. Photographs up to roughly 24 megapixels are comfortable on a typical laptop, and you can open hundreds of files at once for batch work.
Very large images combined with noise reduction will take a few seconds to export, because the pixel work happens on your processor rather than a server farm. A progress bar shows what is happening, and you can cancel mid-way.
At sensible settings, no. Around quality 80 to 85, most photographs shrink by 70–90% with no difference you can see at normal viewing size. Push down towards 20 and you will start to notice banding in skies, blocking around hard edges and smeared colour.
PNG compression is mathematically lossless, so a PNG saved here is pixel-identical to what went in. The compressor shows you the measured file size as you move the quality slider, so you can find your own limit rather than trusting a preset.
Yes, automatically and unavoidably. Exports are re-encoded from the canvas, which means EXIF tags, GPS coordinates, camera details and embedded colour profiles are not carried across. There is no separate button to press.
The Info panel lets you inspect what an original file contains before you export it, and warns you specifically if GPS coordinates are present — useful to check before posting a photo publicly.
Yes. The Retouch panel has blur and pixelate brushes you paint over the area. Pixelation averages the colour of each block, so the original detail is destroyed in the exported file rather than merely hidden behind an overlay that could be peeled off.
For a stronger guarantee, use a large block size and check the result with the before and after slider before you export.
It is free, there is no account to create, no watermark is added to anything you export, and there is no cap on how many files you process. The site is supported by advertising, which is kept out of the editing workspace so it cannot interrupt your work.
No. Because nothing is uploaded and nothing is stored, closing the tab discards your work. Export the images you want to keep before you leave — the browser will warn you if you try to close the page with unsaved changes.